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Poetry Analysis bear witnessSix Galician Poems by Federico Lorca (Madrigal for the City of capital of Chile, Ballad of Our peeress of the Boat, and Song of the Shop Boy) Lisability Camellia-any of several shrubs of the genus Camellia, especially C. japonica, indigenous to Asia, having glossy evergreen leaves and white, pink, red, or variegated roselike flowers. Veiled- non openly or directly expressed masked mask hidden obscure a veiled threat. Languishing-to be or become weak or worn droop fade. Pampa-the vast grassy plains of southern South America, especially in Argentina. Nostalgia-a wistful desire to overhaul in thought or in fact to a former time in ones life, to ones fundament or homeland, or to ones family and friends a sentimental yearning for the happiness of a former place or time a nostalgia for his college days. Story-The story is almost Federico leaving his hometown of Madrid and termination to capital of Chile. He arrives in Santiago Argentina, because se veral words he uses and other objects he describes be only found in Argentina. Lorca is in Santiago and it is constantly raining, it is raining at night and in the morning. If he is not writing about rain, its the ocean or some other form of water.While wondering the city he encounters a statue or painting of the Virgin Mary. He then travels to the capital of Argentina , Buenos Aires. He says the scent sounds like bagpipes. Ramon de Sismundi owns a shops and he seems to be uncheerful throughout the whole poem. Meaning Rain symbolizes a push-down list of things especially in poetry where there is not a real meaning. The rain Lorca rights about is cleansing him, starting a new life. All of the difficulties he had in Spain and America are instanter behind him, it is time for him to move on and start a new beginning.Many concourse are al musical modes stuck in the past, but he is not going to be like them, he is going to move forward and make progress. He also writes a whole poem about Our Lady of the Boat (Virgin Mary). She also represents various meanings, but in this poem he is most likely public lecture about pureness. A double emphasis since water is also pure. Also he may be trying to tell us that if it wasnt for his strong faith in the Virgin Mary, he wouldnt have the chance to move forward. He tends to write about nature, but the otherness of it. He duologue about wind, which more than often symbolizes a certain type of force or energy.In Santiago the wind is damp and gray. Ramon is cleaning his shop, and dreaming but this man is still unhappy. He does not receive the bagpipe winds of Buenos Aires, people that have positive and happy attitudes find great things about the city and move on, people who are depressed and unhappy much(prenominal) as Ramon do not get nowhere. Maybe Ramon is unhappy because he knows he is going to die, and it is sooner than he thinks. Lorca always seems to be expressing his inner emotions and feelings. Even though this place is great, there is no place better than home.Technique-Lorca is precise big on imagery. Almost either single line contains imagery. He really tries to get the reader in the spot that he is at. Lines such as Trembles in my heart, and came the misty dead. He uses imagery to emphasize the meaning. Often, the intention of Lorca is to change the way readers see the world. Especially with Lorcas themes, some of which include awareness of death, our limitations, isolation and nature. He uses a lot of diction which is choosing certain words to emphasize something else, whether it is emphasizing the meaning or imagery.He also does not give no direct meaning. Mo or Pomo- Lorca is definitely a modernist poet. Not only in the pom but also in real life. He stuggles with the fact that he is homosexual and legion(predicate) people do not accept him, placing himself on the lower part of the hierarchy. Even though he is low on the hierarchy is doesnt prevent him from making progress and mo ving on, leave everything else behind. These poems are modernist simply because of their appearance, they are very structured and have the same number of lines in each stanza, very formal.